VIP-SS1: Signal Processing and Artificial Intelligence for Cultural Heritage Applications
Wed, 2 Sep, 16:00 - 17:40 Belgium Time (UTC +2)
Location: Studio 1
Session Type: Lecture
Track: Special Sessions
Wed, 2 Sep, 16:00 - 16:20 Belgium Time (UTC +2)

VIP-SS1.1: Study of dynamical rhythms in literary texts via box-leader based bivariate multifractal analysis

Olivier Bonin, Univ Gustave Eiffel, Ecole nationale des ponts et chaussées, LVMT, Marne-la-Vallée, France, France; patrice Abry, CNRS - ENS Lyon, France; Herwig Wendt, CNRS, IRIT, University of Toulouse, France; Stephane Jaffard, Univ. Paris Est Creteil, Univ. Gustave Eiffel, CNRS, France; Lucie Gournay, Univ. Paris Est Créteil, IMAGER, Créteil,, France
Wed, 2 Sep, 16:20 - 16:40 Belgium Time (UTC +2)

VIP-SS1.2: RESOLUTION-INDEPENDENT IMAGE REGISTRATION ACROSS MODALITIES USING IMPLICIT NEURAL REPRESENTATIONS FOR THE TECHNICAL STUDY OF PAINTINGS

Katherine V. Sephton, Imperial College London, United Kingdom; Catherine Higgitt, The National Gallery, London, United Kingdom; Pier Luigi Dragotti, Imperial College London, United Kingdom
Wed, 2 Sep, 16:40 - 17:00 Belgium Time (UTC +2)

VIP-SS1.3: CONTOUR EMBEDDING NETWORKS FOR ROBUST REASSEMBLY OF FRAGMENTED CULTURAL HERITAGE IMAGERY

Marcela Brichtova Piptova, The Czech Academy of Sciences, Czech Republic; Tomas Karella, Los Alamos National Laboratory, United States; Barbara Zitova, The Czech Academy of Sciences, Czech Republic; Jana Striova, Diego Quintero Balbas, National Research Council, Italy
Wed, 2 Sep, 17:00 - 17:20 Belgium Time (UTC +2)

VIP-SS1.4: DO HISTORICAL NEWSPAPERS CHANGE THEIR VISUAL IDENTITY? DISCOVERY THROUGH EXPLAINABLE AI

Arthur Van Beersel, Tan Lu, Vrije Universiteit Brussel, Belgium; Frederic Lemmers, Royal Library of Belgium, Belgium; Ann Dooms, Vrije Universiteit Brussel, Belgium
Wed, 2 Sep, 17:20 - 17:40 Belgium Time (UTC +2)

VIP-SS1.5: UNMIXING ATR-µFTIR SPECTROSCOPIC IMAGES OF CROSS-SECTIONS OF HISTORICAL OIL PAINTINGS

Shivam Pande, Ghent University, Belgium; Nicolas Nadisic, Ghent University and Royal Institute for Cultural Heritage (KIK-IRPA), Belgium; Francisco Mederos-Henry, Royal Institute for Cultural Heritage (KIK-IRPA) and Université Libre de Bruxelles, Belgium; Aleksandra Pizurica, Ghent University, Belgium